Starting around 1725 in Europe, gilded papier-mâché began to appear as a low-cost alternative to similarly treated plaster or carved wood in architecture. Europe Detail of gilt papier-mâché as applied to an English picture frame The product is protected under the Geographic Indication Act 1999 of Indian government, and was registered by the Controller General of Patents Designs and Trademarks during the period from April 2011 to March 2012 under the title "Kashmir Paper Machie". It remains highly marketed in India and Pakistan and is a part of the luxury ornamental handicraft market. Kashmir papier-mâché has been used to manufacture boxes (small and big), bowls, trays, étagères, useful and decorative items, models, birds and animals, vases, lights, corporate gifts and lot more. These craftsmen used hand-made paper pulp from Iran. The papier-mâché technique was first adopted in Kashmir in the 14th century by Mir Sayyid Ali Hamadani, a Sufi mystic, who came to Kashmir during the late 14th century along with his followers, many of whom were craftsmen. In Japan and India, papier-mâché was used to add decorative elements to armor and shields. Japan and China also produced laminated paper articles using papier-mâché. In Persia, papier-mâché has been used to manufacture small painted boxes, trays, étagères and cases. In ancient Egypt, coffins and death masks were often made from cartonnage-layers of papyrus or linen covered with plaster. They employed the technique to make items such as warrior helmets, mirror cases, or ceremonial masks. The Chinese during the Han dynasty appeared to be the first to use papier-mâché around 200 AD, not long after they learned how to make paper. The excess water is drained, an adhesive is added and the papier-mâché applied to a form or, especially for smaller or simpler objects, sculpted to shape. Before painting any product of papier-mâché, the glue must be fully dried, otherwise mold will form and the product will rot from the inside out.įor the pulp method, the paper is left in water at least overnight to soak, or boiled in abundant water until the paper breaks down to a pulp. Once dried, the resulting material can be cut, sanded and/or painted, and waterproofed by painting with a suitable water-repelling paint. Oil or grease can be used as a release agent if needed. The strips may be placed on an armature, or skeleton, often of wire mesh over a structural frame, or they can be placed on an object to create a cast. The saturated pieces are then placed onto the surface and allowed to dry slowly. Methyl cellulose is a naturally mold free adhesive used in a ratio of one part powder to 16 parts hot water and is a popular choice because it is non-toxic, but is not waterproof.įor the paper strips method, the paper is cut or torn into strips, and soaked in the paste until saturated. Adding oil of cloves or other preservatives, such as salt, to the mixture reduces the chances of the product developing mold. Other adhesives can be used if thinned to a similar texture, such as polyvinyl acetate (PVA) based glues (often sold as wood glue or craft glue). The traditional method of making papier-mâché adhesive is to use a mixture of water and flour or other starch, mixed to the consistency of heavy cream. In both methods, reinforcements with wire, chicken wire, lightweight shapes, balloons or textiles may be needed. With the second method, it is possible to shape the pulp directly inside the desired form. With the first method, a form for support is needed on which to glue the paper strips. The first method makes use of paper strips glued together with adhesive, and the other uses paper pulp obtained by soaking or boiling paper to which glue is then added. There are two methods to prepare papier-mâché. Preparation methods Papier-mâché with the strips method for the creation of a pig Papier-mâché mask created with the pulp method Papier-mâché sculptures are used as an economical building material for a variety of traditional and ceremonial activities, as well as in arts and crafts. 'chewed paper') frequently miswritten as paper mache, is a composite material consisting of paper pieces or pulp, sometimes reinforced with textiles, and bound with an adhesive, such as glue, starch, or wallpaper paste. Papier-mâché ( UK: / ˌ p æ p i eɪ ˈ m æ ʃ eɪ/, US: / ˌ p eɪ p ər m ə ˈ ʃ eɪ/ French: lit. Please consider expanding the lead to provide an accessible overview of all important aspects of the article. This article's lead section may be too short to adequately summarize the key points.
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